![]() Now that we’ve heard the harsh settings, it’s time to fine-tune the De-Esser to achieve a more natural and pleasing sound. Listen to this audio sample with harsh settings applied. Below is a photo of an audio applied with the harshest settings using Dym3 De-Esser. ![]() To better understand the impact of the De-Esser, let’s start by applying some aggressive settings to emphasize the sibilant sounds. To apply the Dym3 De-Esser onto our audio track, go to Multichannel Plug-in > Dynamics > Dym3 De-Esser (stereo). Let’s explore the process of using the Dym3 De-Esser in Pro Tools. This powerful tool enables precise control over the reduction of sibilance without compromising the natural character of the source material. Pro Tools comes equipped with a versatile De-Esser plugin known as Dym3. Dealing with sibilance is a crucial step in creating professional-sounding recordings. These sounds can be distracting, create listener fatigue, and hinder the overall quality of a recording. Sibilance is the S sound in the voice that distorts and sounds harsh on the ear. In this blog post, we will explore how to utilize the De-Esser plugin in Pro Tools to get rid of sibilance and achieve a cleaner, more balanced sound. Fortunately, Pro Tools offers powerful tools like the Dym3 De-Esser to effectively solve this problem. It can be a real challenge, especially for beginner editors and creators. AAX support is coming soon.Sibilance is one of the usual problems when creating and recording content. T-De-Esser is available in AU, VST, and VST3 formats for macOS (M1 supported) and Windows. You can use it to manage high-frequencies from overheads and even get a more authentic sound from a virtual amp simulation that’s too harsh in the midrange.Īt various stages of a project, the T-De-Esser can save you time and an unnecessary headache, and that can’t be bad. The T-De-Esser is a great tool for taming harshness from instruments, too. But, when you want quick and quality results, whether on a single track or bus, the T-De-Esser is pretty impressive. There will be times when you want to take a more surgical approach. ![]() When compared to a few other plugins, the T-De-Esser does get you there a little faster, and it does have a knack for staying musical when some others are squeezing the life out of your audio. You don’t have to slam the vocals to get results, and doing so will usually enhance the problem rather than eliminate it. It’s also one of the most common areas that people lose that natural sound. One of the most common reasons for de-essing is to control sibilance in vocals. It has handy A/B switch and Undo/Redo functions, too. There are four frequency bands: Low-Hi, Mid-Hi, Hi-End, and High. Beyond that, you get controls for Intensity, Sharpness, Output level, and Frequency Range selection. T-De-Esser’s interface has a large Processing (threshold) knob that engages the plugin. Learning to trust what you hear over what you see can be difficult, so I understand and appreciate Techivation’s approach. However, when it’s not essential, it can become needlessly time-consuming and lead you down a less musical path of varying results. I should say I’m not against such visual feedback, and I think it’s beneficial in certain applications. If we compare something like the Eiosis E2 De-Esser with its spectral analysis display and real-time display of what it’s doing to your audio, the difference is night and day. So, I think taking a more straightforward approach and leaving less opportunity to go too far is often a good way to go.Īs well as limiting the number of controls/buttons, the GUI also takes a cautious approach to visual feedback. Using any plugin designed to remove harshness comes with the risk of going too far and losing the natural quality of the sound. See also: The Dom Is A FREE Distortion Effect By Shameless Plugs T-De-Esser is a simplified de-esser plugin that focuses on consistently delivering a natural and musical sound. Techivation releases T-De-Esser, a FREE de-esser plugin for macOS and Windows.
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