![]() Thanks to Rogue One, Vader sees the Tantive IV escape with plans conveyed on a physical disc. Notably, it renders Leia’s attempt to claim diplomatic immunity in A New Hope pointless and ridiculous. ![]() Second, Vader’s murder spree, and the subsequent launching of the Tantive IV, creates several unnecessary continuity errors. It would be far more tonally and emotionally appropriate. Again, imagine ending on Jyn and Cassian embracing, and then the final music isn’t the upbeat Star Wars theme. Yes, seeing Vader go bananas on some chumps was fun, but it diminishes the characters we’ve actually been invested in. Once there, he slays a platoon of soldiers so we can see the desperate handoff of the plans to another Rebel ship that’s really only there so this silly dot-connecting scene can happen. With the story essentially over, Darth Vader boards the Rebel ship that’s just been sent the plans. Maybe it would have worked better as a post-credits scene but, as it stands, it feels like a bad decision that panders to the worst aspects of Star Wars fandom. But instead of just ending the movie right there and letting the audience put it all together, Rogue One ruins itself with a silly and unnecessary coda. We know they’ve sent the Death Star plans to the orbiting Rebel Fleet, most of which has already jumped away. A giant shockwave hits them as they embrace. We see Jyn Erso (Felicity Jones) and Cassian Andor (Diego Luna) on the Scarfi beach as they watch the blast from the Death Star. The Vader scene, which leads to the awkward CGI Leia, has not aged well, which is frustrating given that Rogue One was nearly perfect.Īt almost exactly the two-hour mark, Rogue One presents a perfect possible ending. Then the last five minutes arrive, and the entire movie sacrifices its integrity for two sequences of egregious fan service that undercuts nearly everything great about the movie. Even if you don’t love Rogue One, no one can deny the film has a grown-up vibe. In 2022, the prequel series Andor upheld Rogue One’s mantle by becoming Star Wars’ most realistic and character-driven series. It’s something countless sci-fi movies and TV shows claim to want, but few pull off. ![]() It looks very much like a Gareth Edwards movie: as he did in Rogue One and the 2014 Godzilla, Edwards is good at bringing high concepts down to Earth. Notably, Rogue One was directed by Gareth Edwards, who’s making a splash with his new science fiction film The Creator. And yet, seven years after releasing to almost universal critical acclaim, one has to wonder was the big Darth Vader moment in Rogue One all that great? Or had Star Wars jumped the fanservice shark? Finally, Vader was unleashed! This was a level of badassery that had never been glimpsed in the faraway galaxy. As Darth Vader sliced and diced his way through hapless Rebel soldiers in the climax of Rogue One the mood, for many longtime fans, was celebratory. In 2016, millions of fandom voices cried out in triumph, when perhaps they should have been expressing some concern.
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